Villain Gabby Gabby has the same sort of motivation as Stinky Pete and Lotso before her: She wants to be loved by a child. Separated from the first three movies, Toy Story 4 is a fun and heartwarming adventure, showing us a completely new set of characters (save for Woody and Buzz) and a new side to life as a toy. No one really asked for a Toy Story 4, but it might be the best “fourth movie in a 24-year-old franchise” that we could possibly get. But it also feels startlingly inessential for a Pixar movie, an agreeable enough feature without much new or innovative to recommend it. Monsters University is a fun reunion for Crystal and Goodman, who have a strong dynamic together, and it’s a lively enough return to a compellingly weird world that provides a lot of opportunities for monster-y comedy riffs. was obsessed with wondering what monsters Mike (Billy Crystal) and Sully (John Goodman) were like in college, or whether either of them had any dreams they had to give up on before they entered the workforce. But what if we dug deeper into the backstory no one was asking about?” In this case, likely no one who watched Monsters, Inc. prequel Monsters University comes straight out of the unfortunate franchise mentality that says, “A popular film wrapped up its own story neatly and completely, without sequel-bait or spinoff material, so we have nowhere to go with that narrative. If only the frats at my school were like Oozma Kappa. The Good Dinosaur feels more like a panorama of this cool new world - cattle-rustling velociraptors! a farm run by apatosauruses! murderous pterodactyls! - than a transportive look at an alternate universe. Certain scenes are breathtaking - Arlo the dinosaur sticking his head up into a sea of clouds! A nightscape set aglow with luminous fireflies! - but the odd Western narrative (it’s basically a cowboy movie about a young rancher and his dog) doesn’t quite work for a land full of dinosaurs, where so much world-setting has to be done in order to build up the emotional core. The idea of a world where dinosaurs never went extinct is rich. It’s that it rarely lets viewers really care about its characters. The worst crime of The Good Dinosaur, which went through several incarnations and a lot of behind-the-scenes drama as Pixar tried to figure out what do with its big dino film, isn’t the actual quality of the story or animation. Our collective staff ranking, averaged from individual ranked lists, addresses which Pixar films we feel are most exciting, most ambitious, and most moving - the ones that most changed our perspectives on what animation and all-ages storytelling can do. So we’ve laid out which Pixar movies we think new fans (or new parents) should prioritize, or that existing fans might want to revisit or reassess. Twenty-seven films is a lot to navigate, though, even for animation fans. For cinephiles, knowing the Pixar library is crucial for understanding the field of modern animation. They’ve consistently pushed the envelope on taboo subjects for family-friendly films, with the creative teams opening up conversations about everything from the meaning of sadness to menstruation to immigration and assimilation. Pixar movies profoundly changed American studio animation, ushering in the age of computer-animated features and raising the bar on animated storytelling. Pixar Animation Studios’ drive for innovation has always been one of its biggest motivating forces.
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